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#1
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![]() ![]() ![]() FRIDAY JULY 4TH AT STUDIO B!!!!! DJ HYPE w/ MC DADDY EARL- TRUE PLAYAZ, GANJA, FRONTLINE UK ![]() FRANKIE BONES- SONIC GROOVE, SYSTEM RECORDINGS, EAST MUSIC GROUP, BROOKLYN ![]() CHARLES FEELGOOD- MOIST MUSIC, FEVER, BUZZ, BALTIMORE ![]() + EARLY OPENING FOR ROOFTOP BBQ!!!! 18 TO WALK IN 21 TO CRAWL OUT |
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#2
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#3
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whoa this sounds pretty sweet, none of the pictures are loading for me tho, where is this gonna be?
**nevermind i found the flyers elsewhere Last edited by Watzy13; 18.6.2008 at 9:26 am. Reason: answered my own question |
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#4
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A lot of people have been asking about Hotel Info. This brand new hotel is right near all the Bedford Avenue, shopping, bars and entertainment and is also walking distance from the VENUE:
[Only registered and activated users can see links. ] Rates are reasonable for nyc too. ![]() ![]() ![]() ![]() Last edited by KingRewind; 24.6.2008 at 1:07 pm. Reason: automerged doublepost |
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#5
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Quote:
![]() ![]() DJ HYPE- TRUE PLAYAZ, GANJA, FRONTLINE UK Although his Ganja Records label and tracks released under his own name and with the Ganja Kru have helped, it's the 'DJ' at the front of Hype's name that has proved most important in raising his profile to the level of the Grooverider's, Goldie's, and LTJ Bukem's of Drum'n'Bass. A battle DJ of renown (he represented England in the 1989 DMCs), Hype had a history of electrifying deckwork before moving on from his reggae and hip-hop roots in the late '80s and latching onto house and hardcore. He was an early force on one of London's most influential pirate stations, Fantasy FM, and since then he's consistently topped bills on the international DJ circuit, landing awards for Best Male DJ and Best Radio DJ (in 1994 and 1995, respectively) at the U.K.'s prestigious Hardcore Awards. He's also one of London's popular Kiss FM's biggest attractions and was the force behind Suburban Base's popular multi-volumed mixed compilation series, Drum and Bass Selection. A champion of jungle's dancefloor purity, Hype has also rallied consistently against jungle's compartmentalization into artificial "scenes" such as ambient/intelligent and hip-hop/ragga. (Of course, his sets tend to consist almost exclusively of the latter, which somewhat undermines his argument.) Hype began producing in 1990, engineering and co-producing tracks (including chart-toppers such as "Exorcist" and "The Bee") for hardcore staples Kickin', Strictly Underground, and Sub Base. Although he never lost touch with his breakbeat roots (even going so far as to spin hip-hop instrumentals over house tracks to add a bit of rhythmic flare), it wasn't until he launched his own Ganja label in 1994 (with "Cops") that he began seriously focusing on the post-rave possibilities of sampled breaks. The Ganja label's almost immediate popularity -- primarily through floor-fillers such as DJ Krome & Time's "Ganja Man" and DJ Zinc's penultimate 1995 anthem "Super Sharp Shooter" -- peaked in late 1995 with Still Smokin', a combined-release label compilation between Ganja and cohort Pascal's Frontline imprint, which became one of the highest-selling independent jungle compilations. Re-pressed in 1997, that success also led to a major label deal with MCA's Parousia sublabel and the establishment of True Playaz Music, a Hype-led DJ and production unit also including Zinc, Pascal, and Rude Bwoy Monty. True Playaz the label has also come to the fore as one of the more consistent outlets for innovative hardstep, a style that all but disappeared during the jump-up- and techstep-dominated mid-'90s. |
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#6
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WOW!!! there are alot of parties happening on the 4th! and it seems that they are all competing to get people to show up!
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#7
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Quote:
![]() ![]() DJ FRANKIE BONES aka THE GODFATHER OF AMERICAN RAVE CULTURE Frankie Bones was the original and first DJ coming out of the Brooklyn Underground during the mid 80's with the vision of what was yet to come on the Global front of Electronic Dance Music culture. His early mission came in the many releases of Fourth Floor and Nugroove Records. In a time when timing meant everything, the buzz of his early works caught the attention of the rapidly growing scenesters in the London Orbital M25 raves during the Summer Of Love in 1988. Those early "Bonesbreaks" vinyls led Frankie to playing at a rave called "Energy" which had 25,000 people. With the scene already reaching critical mass, Bones had set off a fierce bidding war between XL Recordings and Deconstruction Records which led to two albums by Musto & Bones. The U.K. was very impressed by Frankie's unique Brooklyn style which was a raw-freestylish-bass-in-your-bass-bins-but-electro-bass style that was raw enough to keep the entire scene and industry at bay, waiting for the underground to bubble over. With gigs, remixing and production work pouring in by the truckload, Frankie ventured out into the early European scene playing key breaking parties in France, Holland, Italy, Denmark and Germany. Each country taking note of his style and wanting to license music. At the same time Frankie brought back the sounds of the Summer of Love to the US, kick starting the popularity of Techno music and rave culture as we know it. He was responsible for the legendary STORMrave events that literally shaped what an American rave should look and sound like for years to come. He brought the sound with him from coast to coast, setting off a musical wildfire that still burns brightly in many regions today, an amazing 20 years later!! What began as obsession for record collecting in 1973, turned Frankie Bones into one of America's leading producer/DJ's of hard-edged electronic music known around the world. With his 20+ years experience, Frankie Bones has released such items as the early "Dangerous on the Dancefloor" and the album "The Future is Ours" , up to the newer "My Peak". He is a living legend who still keeps it coming. |
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#8
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Quote:
![]() CHARLES FEELGOOD- MOIST MUSIC, FEVER, BUZZ, BALTIMORE Charles Feelgood put the Baltimore and Washington DC rave scene on the map. Back in 1990, with his then partner Scott Henry, Feelgood co-produced and launched his now legendary hometown club Fever, introducing Baltimore/DC to featured DJs including Sven Vath, Dave Clarke and Derrick Carter. As quoted in the September, 2000 issue of Urb, “Fever went on to form the cornerstone of the Baltimore/DC rave scene”. It was through Fever that Feelgood embarked on a DJing career that has so far extended well over a decade, which shows no signs of slowing down. It was from his exposure with Fever that Feelgood’s popularity quickly rose, as his weekly club was packed with up to 2,500 fans every Thursday for over six years. Feelgood’s ability to drop kick-ass House music conveniently allows him to crossover between raves and clubs with ease and it is this talent that has enabled him to consistently rake in the praise and admiration from fans and fellow DJs alike. In addition to his busy touring schedule, Feelgood has expanded into production and remixing, releasing numerous productions over the course of the past few years. To this day, Feelgood remains one of the most beloved DJs in the country. From Coast to Coast and from week to week he can be seen spinning at landmark clubs and massive raves, not to mention his wild popularity overseas. With Feelgood’s vibrant personality and banging peak hour House sets only one question remains - Can You Feel It? |
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